'Million man March
poem' was written by Maya Angelou, is one of her creations which talk about the
anguish of the slave days and apartheid and set in 1938 USA. Here the main
themes are suffering. Strength, unity and most importantly a revolution- to create
a new order of equity.
“The
night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.”
The wound has been deep,
The pit has been dark,
And the walls have been steep.”
These
lines have been repeated throughout the poem, to emphasize on the horrors of
slavery. Note that here the poet is just remising in the past and has not
witnessed it herself. Words like- “night-long, wound deep, pit dark and walls
steep”, say that these very conditions have formed what is called identity of
the African-Americans. These horrific memories define them. “badge of shame”
the term used by the poet throws light
on the identity given to the African-Americans, because traditionally the color
black was associated with various negative attributes.
“But today, voices of old spirit sound
Speak to us in words profound,
Across the years, across the centuries,
Across the oceans, and across the seas.
They say, draw near to one another,
Save your race.”
However,
what we see here is that, instead of submitting to these unfavorable
conditions, instead of accepting the identity and status given to them, the
poet urges the African-Americans to rise above and beyond this. She asks them
to redefine boundaries and meaning. Moreover she urges a unified effort to surpass these
unprogressive conditions. There is no better way to preserve one's identity
accept redefine the various parameters. Care needs to be taken that she is not
merely accepting the identity given to the African-Americans, but is
emphasizing on an effort to surpass them.
“The
hells we have lived through and live through still,
Have sharpened our senses and toughened our will.”
Have sharpened our senses and toughened our will.”
These
lines celebrate the present identity formed by the colonial past and say that
these very horrifying memories have made them thick skinned and hence now are
more equipped to lead the revolution.
“Clap hands, call the spirits back from the ledge,”
this line calls upon the African-Americans to use these harsh memories to their
advantage and use it to draw strength. Here the memories are personifies as the
ancestors.
Attention also needs to be paid to the orientalist
assumptions, that underly slavery. The orientlist assumptions worked to
legitimate and assert the supremacy of the colonizers. In fact orientalism had
become an institution then, where its principles like the orient is strange and
uncouth, and the concept race intertwined with colour and these very principles
were made to legitimate, buying and selling of these African-Americans, like
cattle.
Through the poem we can see the development of a
major concept called 'negritude', where attempts are made to redefine
'blackness'. Even here the poet urges the people to rise above these demeaning
interpretations and redefine what they are made of. Also that past is also
glorified in the sense that it is being here used to draw strength. However, I
notice some level of acceptance of the colonial past, but not celebrating it.
But I don’t see any acceptance of the identity given to them
Therefore, form the above analysis, the concept
called 'empire writes back' is also very clearly explained. Also that Fanons
phases of the creation of a cultural identities can be traced in the poem-with
unqualified assimilation ie learning the English ways, in this case the
language English, to 'turning backwards' towards cultural history and finally
reaching the final 'fighting phase' with the people using culture to draw
strength to lead the revolution. Therefore the horrifying memories are here
being then used to draw strength to surpass these very conditions.
The following is the link of the poem-
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